![joe my name is joe thomas album joe my name is joe thomas album](https://static01.nyt.com/images/2021/05/31/world/31homas-obit3/30thomas3-mobileMasterAt3x.jpg)
Thomas admits he was a little nervous about how his vocal performance would turn out. I came back the next day and I did the final vocals on it.”
![joe my name is joe thomas album joe my name is joe thomas album](https://m.media-amazon.com/images/I/71ix4R57bhL._AC_SL1211_.jpg)
We recorded a demo of it right after we wrote it. “I’d say the whole thing was written in about 30 minutes. “We went in with the empty track and we just literally started constructing that song,” Thomas says about the songwriting process. Winans recounts starting with the bridge and the hook before Thomas and Hickson dressed it up with the verses. It didn’t take long to complete the song. Ten Summoner’s Tales has been one of my favorite albums for years and that song ‘Shape of My Heart’ was one of my favorite songs off that album, so I just created this piece.” “I was living in Atlanta and I had created this piece in my home,” Winans recalls about the heartfelt tune, which samples Sting’s 1993 hit “Shape of My Heart.” “I’m a big fan of Sting. Thomas reveals, “The track itself was something that Mario had on another project but I asked him if I could have the track and he was just like, “Yeah whatever!” He was just willing to do whatever it took to get the best result.” “Emotional” was the first song Thomas and Mario Winans (who was part of Bad Boy’s Hitmen collective) recorded together for the album, along with Kenny Hickson. Writers: Carl Thomas, Kenneth Hickson, Mario Winans, Sting To commemorate the 20th anniversary of Emotional, Rated R&B spoke with Carl Thomas and a few other collaborators about the makings of the R&B classic. It was certified platinum by the Recording Industry Association of America later in the year.
![joe my name is joe thomas album joe my name is joe thomas album](https://afrikef.files.wordpress.com/2016/11/14992031_581724525349083_1931845653978458184_n.png)
9 on the Billboard 200 with more than 115,000 copies sold in its first week of sales. The soul-stirring album, which was released the same day as Joe’s My Name Is Joe, proved to be a success for the burgeoning R&B star. There were many songs recorded for Thomas’ debut effort but only 17 tracks made the final cut - the majority of which Thomas helped write.Īfter leading with two singles “Summer Rain” and “I Wish,” Thomas released Emotional on April 18, 2000. “I fit right into that rhythm with just getting a bunch of content done in a short amount of time.” “By the time I got to Bad Boy, just working at the pace that Puff was normally working at, was comfortable for me already,” he states. They all had to have their respective parts to them,” Thomas recalls when working with Taylor before signing to Bad Boy.
#Joe my name is joe thomas album full#
“We had a process where we had to do so many songs per day - and they had to be full songs. All the work he did with Taylor helped prepare him to stay afloat in a fast-paced environment. Thomas’ songwriting allowed him the opportunity to be hands-on with the writing process, which was rare for freshmen acts at the time. It was only a matter of time before Thomas became a priority at the label and started working on his debut album, Emotional. and Mase’s hit “Been Around the World.” The anthemic tune peaked at No.
![joe my name is joe thomas album joe my name is joe thomas album](https://variety.com/wp-content/uploads/2020/08/tony-braxton-album.jpg)
Upon joining the Bad Boy roster, Thomas appeared as a featured guest on notable songs, including the official remix to Puff Daddy, Notorious B.I.G. He would become the first solo male R&B act to sign to the label. While in New York, Thomas made frequent appearances at open-mic nights, which is how he got discovered by Sean “Puff Daddy” Combs. He made me understand things that I needed to know if music was going to be my choice of career.” “He is the person that made me interested in all of it - not just the music, but the process behind it all. And, really, that's enough, since anyone that gets hooked by a single from My Name Is Joe just wants an assurance that the album will deliver more of the same - and it does.Thomas gives credit to Taylor for helping him hone his craft at the time. And it's not a bad romantic mood-setter, either, since Joe is an appealing vocalist, the production is lush without being syrupy, and the songs are all fairly strong, even if only a handful are exceptional ("Somebody Gotta Be on Top," "Treat Her Like a Lady," "Get Crunk Tonight," the N'Sync duet "I Believe in You"). There may not be much variety or many remarkable songs on the record - "Get Crunk Tonight" stands out with its stuttering, fade-in-fade-out intro and its stylishly funky beat - but that doesn't matter because this is essentially a mood record, and that mood is love. Joe never oversings or oversells a song, he just lays back and sweetly sings. He's not as ambitious as D'Angelo is, but that doesn't really matter, since he delivers the goods on his third album, My Name Is Joe. He's an old-fashioned romantic soul crooner in the vein of Al Green, Marvin Gaye, D'Angelo, and, well, Gregory Abbott. Joe is hardly an appropriate name for a lover man - it seems more like a moniker for a custodian than a Casanova - but that's exactly what Joe is.